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[title] => TVLogic unveils new 7" field production monitor with ultra-luminance at IBC 2018
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[introtext] => TVLogic, the world-leading broadcast and professional display manufacturer, unveils a new 7inch field production monitor (F-7H) with the max luminance of 3,600nit and professional features including HDR emulation.
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The F-7H is a 7inch Full HD resolution (1920 x 1080) production monitor with ultra-high luminance of 3,600nit. This top of the industry luminance level enables the camera crews to shoot with clear and sharp picture quality under extreme bright sunshine without a monitor hood. The F-7H provides SDI <-> HDMI cross conversion with 1 SDI input, 1 SDI output, 1 HDMI input and 1 HDMI output interfaces. It also supports all the professional features such as Waveform & Vectorscope, Audio Level Meters, Focus Assist, Range Error, Time Code Display, various Aspect Ratio and Markers, 3D LUT import, Camera Logs and HDR emulation including HDR EOTFs of PQ, HLG and SLog3.
Utilizing a solid and light milled aluminium chassis, the F-7H weighs only 760g. The slim, all-in-one design allows for multiple configurations with threaded holes on the right, left, top and bottom sides for flexible mounting options on or near the camera. Power can be supplied via DC connector or via various battery mounting plates that can connect directly to the back of the monitor. And the hard-coated LCD panel is used to protect the screen from stains and scratches. On the top of the monitor located a menu key and scroll wheel button on the left for easy control, and 3 function buttons are placed on the right for fast access to frequent functions. A USB port for firmware update and color calibration is prepared on the bottom of the monitor.
TVLogic will introduce two new value-added broadcast monitors of LVM-171S(17inch) and LVM-241S(24inch). These are TVLogic’s top QC-Grade models with an IPS LCD panel with Full HD resolution, wide-gamut reproduction (up to DCI-P3) enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. The LVM-171S and LVM-241S provide HDR emulation function with HDR EOTFs of PQ, HLG and SLog3, support for 3D LUTs and various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
NextoDI which is a world-leading portable backup storage brand will join TVLogic booth starting this IBC 2018. The NEXTO series provides the world's fastest backup speed via the patented “X-copy” technology, while M-copy (copy to multiple drive simultaneous) guarantees 100% data safety, even in the worst-case circumstance. TVLogic acquired the NextoDI in early 2018 to create a combined force for future technology as well as providing better products and service to both customers.
See TVLogic’s full line of rich features, high performances, and color-accurate monitors at IBC 2018, Booth C27, Hall 10.
About TVLogic
TVLogic designs and manufactures LCD and OLED High Definition displays from 5.5" to 56" designed specifically for broadcast, production, post-production, digital signage and multi-viewer applications. For further information please visit: www.tvlogic.tv.
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[text] => TVLogic, the world-leading broadcast and professional display manufacturer, unveils a new 7inch field production monitor (F-7H) with the max luminance of 3,600nit and professional features including HDR emulation.
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TVLogic unveils new 7" field production monitor with ultra-luminance at IBC 2018
31 August 2018
TVLogic, the world-leading broadcast and professional display manufacturer, unveils a new 7inch field production monitor (F-7H) with the max luminance of 3,600nit and professional features including HDR emulation.
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[title] => Phil Arntz reviews the VFM-055A 5" OLED viewfinder monitor; Is It a True LCD-Killer?
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[introtext] => At IBC 2017 TVLogic introduced their latest 5” viewfinder monitor in their VFM-series, the VFM-0055A. It is TVLogic's first 5.5-inch OLED (organic LED) on-camera viewfinder monitor with native 1920x1080 resolution.
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It offers truly cinematic image quality with deep blacks, wide-gamut color reproduction, a very wide viewing angle, and support for multiple video formats via 3G-SDI and HDMI 1.4 inputs. Useful functions include cinema camera log-to-linear LUT conversion, HDMI-SDI cross-converted output, waveform and vector scope, markers, focus assist, audio level meters and much more. Comparing it with the previous model in the range, the VFM-058W, it has a lot of advantages and improvements such as Anamorphic De-squeeze, 3D LUT import via USB, HDR Emulation and Split zoom, but reading the review from DoP Phil Arntz, there are still plenty reasons to use this existing monitor too.
Phil says;
"The TVLogic's VFM-058W has been one of the go to monitors for focus pullers, camera operators and cinematographers for a while. Rental houses loved these monitors as they stand up to the abuse of the production environment.
As a Director of Photography, the announcement of the VFM-055A excited me. I am always looking for a more accurate rendition of contrast and colours and onboard monitors are often lacking in that regard. Usually I'd find myself going between camera and a larger reference monitor, however on some jobs this is just not an option due to time constraints. The VFM-055A Monitor by TVLogic bridges that gap."
"TVLogic's new VFM-055 is a fantastic monitor for those Director of Photography's who are always close to the camera. The OLED technology gives you an accurate representation of your image, with deep blacks and accurate colour rendering."
"It's small enough to be an on-camera monitor and the color and black rendition is superb. I've found myself trusting this small monitor more and more and it's definitely hard to go back to a non OLED on board monitor. Nothing comes without trade offs, so you are trading accurate colours and deep blacks for some brightness as compared to the 058W, which means that you will need a sunshade for exteriors or bright studio days. All in all, the VFM-055A sits nicely alongside the 058W. Perhaps it's best seen as an onboard monitor that reassures you as a director of photography rather than a replacement of the 058W which is well loved by Focus Pullers all around the world."
TVlogic is always working on improvements of their products and the latest firmware update for the VFM-055A is available for download.
Visit the TVLogic booth SL1205 at NABSHOW 2018 in Las Vegas.
Find out more about TVLogic!
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[text] => At IBC 2017 TVLogic introduced their latest 5” viewfinder monitor in their VFM-series, the VFM-0055A. It is TVLogic's first 5.5-inch OLED (organic LED) on-camera viewfinder monitor with native 1920x1080 resolution.
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Phil Arntz reviews the VFM-055A 5" OLED viewfinder monitor; Is It a True LCD-Killer?
21 March 2018
At IBC 2017 TVLogic introduced their latest 5” viewfinder monitor in their VFM-series, the VFM-0055A. It is TVLogic's first 5.5-inch OLED (organic LED) on-camera viewfinder monitor with native 1920x1080 resolution.
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[title] => TVLogic’s NAB 2018 Line-Up to Highlight Native 4K Displays
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[introtext] => Burbank, CA, March 12, 2018 – TVLogic, designer and manufacturer of LCD and OLED High Definition displays, is returning to NAB 2018 with an expanded range of UHD/4K monitors, a 55” precision OLED monitor, and additional display sizes to extend the Company’s popular hi-end LCD series.
[fulltext] =>
The line-up reflects the company’s pioneering spirit and commitment to address the constantly changing needs of broadcast, production, post-production, and multi-viewer applications. All TVLogic monitors will be on display in Booth SL 1205.
“TVLogic has always been an industry visionary, bringing some of the most advanced display technology to market before its time,” said Denny An, Director of Worldwide Sales. “In 2010 we launched the world’s first AMOLED broadcast monitor, and that same year debuted a first generation 4K monitor. This year, we are delighted to build on our successes and bring several models, many with native 4K resolution, that incorporate even more features and reflect our superior video engineering capabilities.”
LUM Range - 4K/UHD Monitors
TVLogic introduced one of the industry’s first generation 4K monitors over 8 years ago and has since expanded the LUM series to include several popular sizes. This year three new models are being highlighted.
LUM-313G - 31.1-Inch True 4K Monitor
The LUM-313G is a 31.1" native 4K resolution (4096×2160) monitor with maximum luminance of 350nit, contrast ratio of 1500:1, wide color gamut and wide viewing angle. Equipped with 4 BNCs (2×12G-SDI + 2×3G-SDI) and HDMI 2.0 interface, it supports various video formats up to 4K/60p through single-link 12G-SDI, Quad 3G-SDI and HDMI 2.0. In addition to various professional features such as Waveform monitor and Vectorscope, the LUM-313G provides HDR emulation function with HDR EOTFs of PQ, HLG and SLog3. More camera-specific HDR logs and gamuts will be supported by firmware updates.
LUM-318G - 31.1-Inch True 4K Monitor
The LUM-318G is a 31.1" native 4K resolution (4096×2160) monitor with maximum luminance of 850nit, contrast ratio of 1500:1, wide color gamut and wide viewing angle. Equipped with 4 BNCs (2×12G-SDI + 2×3G-SDI) and HDMI 2.0 interface, it supports various video formats up to 4K/60p through single-link 12G-SDI, Quad 3G-SDI and HDMI 2.0. In addition to various professional features such as Waveform monitor and Vectorscope, the LUM-318G provides HDR emulation function with HDR EOTFs of PQ, HLG and SLog3. More camera-specific HDR logs and gamuts will be supported by firmware update. LUM-310A will be replaced with LUM-318G.
LUM-430M - 43-Inch True UHD Monitor
UHD/4K monitor with a 43" True UHD (3840x2160) resolution, true 10-bit driver and wide color gamut support. The model accepts 3G/6G/12G-SDI and HDMI 2.0 inputs.
LEM Precision OLED Monitors – Capable and Color Accurate
A pioneer in OLED technology, TVLogic brought the world’s first AMOLED broadcast monitor to market in 2010. At NAB 2018, the manufacturer will highlight the latest model in its OLED range.
LEM-550R – 55” UHD OLED Monitor for HDR Monitoring
LEM-550R is a QC-Grade HDR monitor for broadcast and post production with a 55-inch OLED panel with UHD resolution of 3840 × 2160. The OLED panel can reproduce a maximum luminance of up to 750 nits. The LEM-550R supports various HDR standards such as SMPTE 2084PQ, Hybrid-Log Gamma (HLG), and others. It also supports multiple color gamuts including Rec.709, DCI, and Rec.2020. Signal I/O includes 3G/6G/12G-SDI input via one, two, or four SDI connections as well as HDMI (ver.2.0).
LVM Series - From Field Recording to Master Monitoring in the Studio
TVLogic’s LVM series offers superior picture quality, wide viewing angles, professional broadcast functionality and low power consumption in slim, single-piece integrated designs. At NAB 2018, The Company is expanding the range with two models.
LVM-171S - 16.5-inch High-End LCD
The new LVM-171S is TVLogic’s top QC-Grade 17-inch model with a 16.5 inch IPS LCD panel with 1920x1080 native resolution, wide-gamut reproduction (up to DCI-P3) enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
LVM-241S – 24-Inch High-End LCD
The new LVM-241S is TVLogic’s top QC-Grade 24” model with a 24-inch IPS LCD panel with 1920x1200 resolution. This monitor incorporates the same desirable features as its 17” counterpart, including wide-gamut reproduction (up to DCI-P3), enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
The new models will be featured along with existing product line throughout the show.
Find out more about TVLogic!
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[text] => Burbank, CA, March 12, 2018 – TVLogic, designer and manufacturer of LCD and OLED High Definition displays, is returning to NAB 2018 with an expanded range of UHD/4K monitors, a 55” precision OLED monitor, and additional display sizes to extend the Company’s popular hi-end LCD series.
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TVLogic’s NAB 2018 Line-Up to Highlight Native 4K Displays
12 March 2018
Burbank, CA, March 12, 2018 – TVLogic, designer and manufacturer of LCD and OLED High Definition displays, is returning to NAB 2018 with an expanded range of UHD/4K monitors, a 55” precision OLED monitor, and additional display sizes to extend the Company’s popular hi-end LCD series.
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[introtext] => The new generation of 4K camcorders with fixed lenses is currently conquering the marketplace. However, optical limitations of these cameras create a demand for high quality conversion lenses, as they extend the functionality of the camera.
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Zunow is a focal optics designer in Japan and has been around for more than 80 years. They have designed conversion lenses for Sony, Panasonic, Canon, Nikon and Olympus. Rose-Anne Wiersma, Marketing & Communications Coordinator at Aspectra - worldwide distributor of Zunow attachment lenses since 2009 - comments on this phenomenon; ‘We have not been very busy creating any buzz on these products the last couple of years, but the demand has been growing quite a bit. We see increasing views on social media and larger orders from our resellers around the globe. Especially for the wide angle conversion lenses’.
Good reasons to start working with a Wide Angle Conversion Lens
The focal length is the distance in millimeters from the optical center of the lens to the film or sensor when your lens is focused at infinity. In general, it can be stated that the shorter the focal length of the lens, the wider the field of view (FOV), and the more you'll be able to fit into your frame.
Using wide angle converters with your camera can bring you great advantages;
- It helps take in a large outdoor view that is too big to be captured by a normal lens
- It helps capture a tiny interior where you can’t move far enough back to show the complete picture.
- ‘Going wide’ on an image can help you create perspective and dynamics into your shots. By focusing on a specific object, using existing lines and playing with an interesting fore- or background you can present your subject into relation to its surroundings.
New wide angle conversion lens from Zunow
The WFK-95, suited for (4K) cameras such as the Panasonic AG-DVX200, has now been replaced by the successor WFK-95X. This new lens is made to also fit cameras with a 67mm filter thread such as the AG-UX90 and AG-UX180. High 4K resolution and multicoated glass elements make the lens a perfect match for these new 4K cameras, but can also be used on cameras such as the AG-160A/130A and AJ-PX270. To make your set-up complete use it with a rubber hood (HU-127) to protect your shots from unwanted flares.
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Increasing demand for high quality conversion lenses
29 June 2017
The new generation of 4K camcorders with fixed lenses is currently conquering the marketplace. However, optical limitations of these cameras create a demand for high quality conversion lenses, as they extend the functionality of the camera.
Learn morestdClass Object
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[title] => Aspectra B.V. main distributor of Camgear Inc.
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[introtext] => As of 1 May 2017, Aspectra will represent all Camgear products in Europe and the Middle East.
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Aspectra, a Dutch based distributor and manufacturer of professional camera related products, is proud to announce that Camgear, manufacturer of professional camera support equipment based in Bejing, decided to appoint Aspectra as main distributor of its products in Europe and the Middle Eastern region.
Camgear designs and manufactures camera support equipment and video and photo accessories for video, broadcasting and film industry. The product line exists of a range of camera fluid heads and tripods, lighting equipment and other accessories for cameras. The products are very well made and suited for a wide range of cameras and set-ups. This is a perfect match with the brands and ranges Aspectra already represents.
“Until now the products were being sold by a small amount of local dealers. By keeping stock in our warehouse in the Netherlands, we can offer just-in-time delivery, keep transportation cost to a minimum, create better coverage throughout this areas and provide better overall service”, says John Raadgeep, Managing Director of Aspectra B.V.
Jack Guo, Managing Director of Camgear Inc., added: “The main added value of a distribution partner such as Aspectra is their knowledge of and experience in the regions we have not yet had the chance to develop. Seeing the Sales team at work gave me the confidence that they are the right company with the right connections to help us expand the business and develop the brand.”
During the NAB show in Las Vegas from 24 -27 April 2017 a selection of Camgear products will be on display at the Aspectra booth in the Central Hall – C9518.
Learn more about Camgear!
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Aspectra B.V. main distributor of Camgear Inc.
11 April 2017
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[title] => PAG at NAB 2017: new PAGlink Gold Mount accessories
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[introtext] => PAG will feature three new PAGlink Gold Mount accessories at the NAB Show in Las Vegas
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At NAB 2017, PAG, one of the broadcast industry’s longest established global providers of innovative portable power solutions, will launch its new travel charger, powerhub and battery reader for the PAGlink Gold Mount System of compact, lightweight, intelligent linking batteries.
The new PAGlink Micro Charger is an ultra-compact travel charger. It features a single charging shoe that clips onto Gold Mount battery contacts. The lightweight charger is compatible with both the PL94 and PL150 PAGlink Gold Mount batteries. PAGlink offers unique technology that allows up to 8 batteries to be linked for simultaneous charging. Three 94Wh PAGlink Gold Mount batteries can be charged overnight (11 hours), without user-intervention. The Micro Charger can also be used to charge Anton Bauer Li-Ion batteries sequentially.
PAG claims its new charger is the broadcast industry’s smallest, most economic, multi-battery charger.
PAG will also debut its new PAG Gold Mount Battery Reader. Managing your PAGlink Gold Mount batteries efficiently using data stored in their processor,
can be achieved easily using this new Reader. The compact device can be clipped onto the battery contacts to reveal useful information such as the number of cycles, the date of manufacture, capacity in Ah, software version, serial number and more.
The Reader is compatible with both the PL94 and PL150 PAGlink Gold Mount batteries, as well some Anton Bauer models. You can now track the usage of your inventory, large or small, and manage it more efficiently, ensuring that all your batteries are used equally. The Reader can also be used to put PAGlink batteries into sleep mode for transport or storage.
“This inexpensive accessory is a must for broadcasters and rental houses”, says PAG’s UK Sales Director Nigel Gardiner.
Last but not least, PAG will introduce the new PAGlink PowerHub which provides all the outputs you need for your 12V camera accessories. The Hub is designed to be used between the two PAGlink Gold Mount batteries, powering your camera and accessories simultaneously, while maintaining the hot-swap capability. It is compatible with both the PL94 and PL150 PAGlink Gold Mount models.
The PowerHub features 5 ports that accept interchangeable D-Tap, Lemo (2-pin), Hirose (4-pin) and USB connectors. Four D-Taps and a USB (5V 1A) are issued as standard. The low-profile PowerHub is manufactured from a durable, lightweight ABS and occupies a half inch deep gap between two PAGlink batteries.
“The inexpensive and versatile PowerHub is user-configurable and so much smarter than just D-Taps in a battery”, says PAG America’s Sales Director Bob Carr.
The Gold mount Battery reader is already available and both the Microcharger and the Powerhub will be shipping in the second quarter of 2017.
PAG products are distributed by Carr Distribution Group in the USA and they will be presented at the Aspectra booth #C9518 during this years NAB Show in Las Vegas.
Visit PAG online at www.paguk.com
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PAG will feature three new PAGlink Gold Mount accessories at the NAB Show in Las Vegas
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The camRade transPorters series exists of two grey Cordura® carrying bags. These bags are flexible and compact and offer a solution for safe transportation of cameras (with flip up monitor) and accessories.
“These days a lot of camera manufacturers cut on included accessories and the user needs to purchase these items separately. We saw the opportunity to develop a safe storing solution for both options. A compact bag, needless to say it’s lightweight yet very strong, and flexible in use. Whether you use it for your camera and some necessary accessories or nothing but accessories and gear, this bag has everything you could wish for.” says René van der Reiden, International Sales Manager at Aspectra.
Pockets of many shapes and sizes are added in the front and back pouch for easy access. In the main compartment a mesh pocket with zipper is located, together with a strap to secure your camera and 2 removable dividers. This allows you to organize your gear completely to your liking. The bag is supplied with three accessory protection items; a pouch to store an extra lens, a cover for the lens and hood on the camera and a pouch to store small items such as cables. The items can be secured inside the bag but can also be used separately, which allows you even more flexibility.
Carry the bag with the included comfortable padded shoulder strap and the soft suede handles. A cinch strap in the main compartment keeps the camera secured during transportation. The bottom of the bag is equipped with a protective armored plate, covered by a waterproof non-slip cover. Due to its triangular shape it is easy to fold the bag together for storage, so it takes up a minimum of space when not in active use.
The transPorter Medium with an interior length 45 cm and 17.7, is perfect for camcorders and handheld cameras such as the Sony PXW-Z150, PXW-X70, HXR-NX100, Canon XA25/XA30/XA35, XF200/205, JVC GY-HM170/200, Panasonic AG-AC30 and all DSLR cameras.
The transPorter Large is designed for cameras up to 52cm / 20.5 inches in length, such as the Sony PXW-X200, PXW-X160/180, PMW-200, PXW-Z100, Canon XF300/305, JVC GY-HM620/660, Panasonic AG-UX180/UX90, HC-X1/1000, AG-HPX250/255 and all other camcorders with flip-up screen.
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- Suited for various camcorders up to 52 cm and 20.5 inches(transporter Large) with flip-up monitor
- Water-resistant 1000 denier Cordura® exterior and non-slip cover on the bottom
- Flexible padded sides with padded interior for maximum protection
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- Strong, high quality YKK® zippers
- 5 year warranty
This collection will be available per September 2016, and will be presented at our booth during the IBC 2016 (12.B36). For more information on the transPorter series please visit camrade.com.
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Berkel en Rodenrijs, the Netherlands - Alphatron Broadcast Electronics B.V. is international distributor and manufacturer of camera related products for the professional video market. After a partial management buy-out last year December, Alphatron Broadcast Electronics separated from the Alphatron Group. As of per 22 August 2016 the company will continue its activities under the new name Aspectra B.V. “This name-change is a result of the wish to continue the company separately from the Alphatron Group. After being together for more than thirty years, the time was right to be on our own and to secure the continuity of our company for the years to come”, says John Raadgeep, Managing Director of Aspectra.
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Learn more about Aspectra!
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4K 12G-SDI Single Link Monitor - LUM-170G & LUM-240G
The LUM-240G is a 24 inch monitor with UHD resolution (3840 x 2160), a 10-bit color depth, high contrast ratio of 1000 : 1 and wide viewing angle. The LUM-240G support various standard color gamuts including Rec.709 & DCI. The LUM-170G is a practical UHD monitoring solution with 17 inch full HD(1920 x 1080) resolution panel. Both LUM-170G and 240G support 12G-SDI signal with 4 BNC input connectors (2 for 12G-SDI and 2 for 3G-SDI) and an HDMI 2.0. input. 2160/30p through 6G-SDI signal link is also supported.
7" FHD & Field Monitor - LVM-075A & LVM-070C
The LVM-075A is a new 7 inch monitor which offers an outstanding picture quality with a Full HD resolution of 1920 x 1080, high Luminance up to 600cd/??and wide viewing angle. The LVM-075A satisfies the professional needs with the desired color gamut required by the HDTV standards specified in ITU-R BT.709. The LVM-070C is practical version with 7 inch 1024 x 600 resolution panel. The LVM-075A and the LVM-070C support diverse Log files for cameras from ARRI, Sony and Canon. And they accommodate multi-format 3G/Dual Link HD-SGI, SD-SDI, HDMI and analogue signal inputs. All the professional features including Timecode Display, Waveform/Vecotorscope, Range Error, Temperature Adaptive Color, Closed Captions and Focus Assist are also supported.
4K multi-viewer & 4K monitor package - TMV-4000G & LUM-550M
The TMV-4000G is the upgraded 4K multi-viewer system with 12G-SDI output interface. The TMV-4000G displays up to 24 input signals on a single 4K screen and can be controlled remotely using Ethernet, GPI/O and RS422 communication port. The TMV-4000G provides various layout, size and position of each image. The TMV-4000G offers best picture quality for wall monitoring combined with the LUM-550M which is the 55 inch 4K/ UHD monitor with 12G-SDI single link input support only.
Learn more about the TVLogic LUM monitors!
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[text] => TVLogic, the designer and manufacturer of broadcast and professional displays, will launch two new 12G-SDI single link 4K monitors, 12G-SDI 4K multi-viewer packages and two new 7 inch monitors at IBC 2015.
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TVLogic unveils 12G-SDI 4K Monitors and Multi-viewer package
07 September 2015
TVLogic, the designer and manufacturer of broadcast and professional displays, will launch two new 12G-SDI single link 4K monitors, 12G-SDI 4K multi-viewer packages and two new 7 inch monitors at IBC 2015.
Learn more
